Actitud Copyleft y cultura libre: nuevos nombres, viejas prácticas.
Lila Pagola, curación para la Bienal Arte Nuevo Interactiva 07 [Mérida/México]

Compartiendo capital [proyecto colectivo iniciado por Fabricio Caiazza e Inés Martino] 

Del Proyecto derivadas:

wwmart
[Laura Benech]
derivada de S/T de la Serie Proyecto Plaza de Gabriel Orge

En los ojos, todo
[Luciano Ferrer]
derivada de Estrategias A.B (cuarta salida) de Aníbal Buede

virtual [land]escapes
[jäng]
derivada de 3´11¨ / video instalación de Mónica Jacobo

engendro [Verónica Maggi]
derivada de S/T  de la serie Plaza de Gabriel Orge

Arte por instrucción [Soledad Sánchez Goldar]
derivada de “Proyecto Estrategias (cuarta salida)” de Aníbal Buede

Obras derivadas: ¿qué son?

La licencia Art Libre, traslada el modelo del copyleft y la GPL a producciones artísticas y dice sobre las modificaciones u obras “consecutivas”:

2.3 LIBRE MODIFICACIÓN:

Es libre de modificar copias de la obra original o consecutiva, en parte o en totalidad, de acuerdo con las condiciones de libre difusión o representación de la copia modificada previstas por el artículo 2.2.
Si así lo manifiesta, el autor del original podrá autorizarle a modificar directamente la obra original en los mismos términos y condiciones que las copias.

La Licencia de Arte Libre fue la primera en hablar de “obra consecutiva” como aquellas “contribuciones aportadas a la obra en formación, por autores que ejercen el derecho de reproducción, difusión y modificación que les otorga la licencia.”

En 2004 aparece el sistema de Licencias Creative Commons, como una respuesta a cierta dificultad (e invariabilidad) en la aplicación de las Licencias copyleft. CC es una potente combinación de licencias modulares que le permiten al creador elegir entre opciones de comercialización, modificación y redistribución, así como incluir su licencia en medios digitales de un modo simplificado.

Una de las opciones de CC es la posibilidad de que otro realice “obras derivadas”, modificando la obra original. En base a esta posibilidad realizamos la experiencia del Proyecto Derivadas, en junio de 2006.

Un grupo de artistas participantes de una muestra Interfaces Córdoba-Posadas fue invitado a licenciar sus obras bajo CC (cc-by-nc-sa-ar-2.5) y otro grupo de artistas fue invitado a realizar obras derivadas.

Las obras originales a derivar: ¿qué es un original en el siglo XXI?

Las obras licenciadas bajo CC que participaron de la derivación incorporan, como muchas de las producciones del arte contemporáneo, procedimientos de remix, cita, apropiación o combinaciones de esos recursos. Analizando las obras disponibles para la derivación, los artistas encontraron que muchas de ellas ya eran obras derivadas de otras previas.

Esto señaló aristas interesantes del asunto: por un lado, si bien reconocíamos el grado de similitud de estos procedimientos reconocidos en las obras “originales” con la derivación propuesta, advertíamos también la diferencia implicada en buscar o no una forma legal que nombrara esa “filiación de origen”.

¿En qué radicaba esta sutil diferencia generada por la licencia? Básicamente, que las obras originales con procedimientos de derivación, estaban pensadas para circular en el mundo del arte: un espacio donde las leyes de derechos de autor están tácitamente suspendidas para los artistas (no para los espectadores y eso queda demostrado cuando alguien quiere tomar fotografías de obra).

El espacio del arte es para sus protagonistas, los artistas, un espacio donde es posible decir, hacer, mostrar lo que en otros espacios sería considerado ilegal, inmoral, incorrecto, imprudente, insano, etc.; y en muchos casos en esa transgresión reside la eficacia de la obra.

Entre sus atributos, el espacio de la institución-arte permite a sus autores criticar la autoría violando los derechos de autor, dentro de una tradición que tiene casi un siglo de legitimidad.

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Seguir leyendo ‘derivadas en Arte Nuevo Interactiva 07′

Proyecto derivadas se realizó en junio de 2006.

El proyecto propuso a un grupo de artistas a licenciar su obra bajo una licencia cc-ar by-nc-sa 2.5 y a otro grupo a realizar obras derivadas de esas.

Artistas invitados a derivar:

Laura Benech (técnicas varias) derivada de Gabriel Orge
Luis Britos (fotografía intervenida) derivada de Gabriel Orge
Carola Bruzzesi (fotograma de video intervenido) derivada de Leticia El Halli Obeid
Javier Crespín (fotografía intervenida) derivada de Adriana Bustos
Luciano Ferrer (impresión digital) derivada de Aníbal Buede
Juan Manuel Lucero (imagen digital) derivada de Mónica Jacobo
Verónica Maggi (fotografía intervenida) derivada de Gabriel Orge
Alejandra Montiel (plotter de corte sobre vinilo) derivada de Maxi Peralta
Lila Pagola (proyecto de hipertexto) derivada de Mónica Jacobo
Mariana Robles (pintura sobre bastidor) derivada de Leticia El Halli Obeid
Soledad Sánchez Goldar (performance) derivada de Aníbal Buede
Beatriz Scolamieri (pintura sobre muro) derivada de Maxi Peralta